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Famlende Forsøk - Ars Transmutatoria download album
Electronic
Performer: Famlende Forsøk
Title: Ars Transmutatoria
Style: Industrial, Minimal, Experimental
Year 1990
Country Norway
Genre: Electronic
Rating: 4.4
Votes: 996
MP3 size: 1221 mb
FLAC size: 1753 mb
WMA size: 1286 mb
Other formats: AIFF DTS RA AAC MOD AUD ADX

Famlende Forsøk - Ars Transmutatoria download album


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Complete your Famlende Forsøk collection. Ars Transmutatoria ‎(10xFile, FLAC, Album, RM). Sub Culture Records.

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Biography Famlende Forsøk, top albums. The year 1984 saw them release their first album-length cassette; "FF viser En Overraskende Måte Hvorpå Man Kan Kaste En Person Overende". A very varied set of tracks, including obvious influences by the english synth scene, alongside progressive, jazz, ambient, The Residents and their own, completely unique sound. Later releases include 'Døve Munker Ut Av Norsk Industri' (1986) 'Ars Transmutatoria' (1990) and 'One Night I Had A Frightful Dream' (2002). They are still active today, as of 2009.

Famlende forsøk added 2 new photos. 24 April at 11:27 ·. FF i godt selskap. III, an album by Famlende Forsøk on this site.

Døve Munker Ut Av Norsk Industri. 1985 Remastered Bonus Version. En Overraskende Måte Hvorpå Man Kan Kaste En Person Over Ende. мы улучшили вашПлейлист дня и другие умные плейлисты.

Ars Transmutatoria - Famlende Forsøk.

Tracklist Hide Credits

A1 Demiourgos
Violin – San Hoffman
5:45
A2 Belzebub I Amerika 4:00
A3 Hassan I Sabbah 4:40
A4 Etter Nansen
Flute – Strawberry McKillan
6:30
A5 Kold Eksperimentering
Flute – Strawberry McKillan
1:20
B1 Hebhel
Choir – Kool Kat, Zetlitz*
5:30
B2 Spang Virr 3:05
B3 Dyret Fra Moskva 6:15
B4 Hårdhendt Redigering 5:00
B5 Exit Kanon 2:00

Companies, etc.

  • Recorded At – SHiT Studio
  • Recorded At – Spang Virr
  • Produced At – Spang Virr
  • Mixed At – Grimstad Lydstudio

Credits

  • Cornet [Ess], Flugelhorn, Horn [Tenor], Guitar, Mellotron, Sampler, Synthesizer, Tape, Loops, Other [Stenocord], Percussion [Pakhawaj], Percussion, Choir, Vocals, Other [Devices] – Lumpy Davy
  • Layout, Photography By [Inside] – Chrisph
  • Lyrics By – BRT (tracks: A1 to A5, B2 to B5)
  • Mastered By – K.G.*
  • Mixed By – Tom Samuelsen
  • Music By – Famlende Forsøk
  • Painting [Cover] – BRT
  • Photography By [Famlende Forsøk] – Steinar Buholm
  • Shenai [Turkish], Guitar, Drums, Percussion, Synth, Xylophone, Organ [String], Tape, Vocals, Other [Devices] – Chrisph
  • Voice, Tape [Cut-Up Tapes], Percussion, Synth, Other [Devices] – BRT

Notes

Limited to 500 hand-numbered copies.
Gatefold cover.

Barcode and Other Identifiers

  • Matrix / Runout (Runout Side A, Stamped): SHITLP 017 A 18C3
  • Matrix / Runout (Runout Side B, Stamped): SHITLP 017 B 18C3
  • Matrix / Runout (Runout Side A/B, Etched): K.G.

Other versions

Category Artist Title (Format) Label Category Country Year
SUBCULTURE 079 Famlende Forsøk Ars Transmutatoria ‎(10xFile, FLAC, Album, RM) Sub Culture Records SUBCULTURE 079 Norway 2013


Gogul
I wasn't quite sure what to expect from this - the tape was quite an old recording - had they changed? If so, which way had they moved? Well. for those of you brave enough to risk money on a (somehow it's hard to believe) virtually unknown group, you might find here a group which fits in like a missing link between, say, LAIBACH, TEST DEPT, SPK and perhaps even COIL. Side One opens up with "Demiourgos", a nervy, loosely structured thing punctuated with distant bursts of crashing glass, as if some great crystal bells were falling in almost exact time onto some hard marble deconsecrated cathedral floor while dark sounds hum in recesses and shaggy crow-like beings watch with dead eyes. A ceremony for unsettled shades is uttered in an emotionless German voice as the remaining crystal bells chime their final sounds in the distant arches. Horns, barely registering, play a sad final farewell to this eldritch edifice. "Belzebub I Amerika" opens to nervy sounds fast fading in and out while drifting electronics and horns float in shapeless dream state. A suppressed drum sound keeps tempo while the vocalist orates in an emotionless voice, a rhythmic tale I cannot follow. It has an atmosphere like distant martial music, a march drifting on a calm breeze from some way off. "Hassan I Sabbah", a fellow most of you will undoubtedly know something about opens on dark keyboard sustains, black as pitch while metal sounds keep a constant 'beat', voices, barely human, grow from the darkness. There's a tune under the surface, kept afloat by what sounds like guitar & synths, although the entire structure seems to move without movement."Etter Nansen" opens on what sounds like electronically sustained temple gongs, growing in magnitude to a full sound, another slow drift with a dulled glockenspiel sound keeping a beat. Perhaps more so than before, this track sounds like dramatic incidental music from some horror film, although what images they suggest I can only guess - the ancient sewers beneath some kind of generator - perhaps nuclear? Somewhere used to the dark, but lit now by some biological luminescence, a nasty dead-flesh-and-dried-blood light? "Kold Eksperimentering" is another barely structured thing with effected vocals which might make your brain fold in on itself. Side Two opens with "Hebhel" which is a sort of Ritual music, an Ethnic Temple music, sombre, dramatic, but not exactly threatening (at least, not until the axe suddenly falls your way). Male voice in harmony create part of the rhythm - Gregorian-sounding. I could see this appealing to many different tastes for many different reasons. "Spang Virr" opens with a loop of chime-like sound and something like birdsong. It opens out into another large, drifting, orchestral thing which repeats what I can only assume are subtle samples as it moves with graceful drama. "Dyret Fra Moskva" swells into existance with muffled taped voice & a distant slow beat while sustaining sounds cast dark shadows across the body of the sound. It sounds as if it's suppressing a raw power which seems a moment away from bursting forth, but never does. the vocalist talks over the funereal backdrop about midway through, his voice, emotionless enough to neither add-to nor taint the Factory of Dread sound. "Hårdhendt Redigering" again has that atmosphere which positively chills a room, even on the warmest day. this is the soundtrack for a Vampyre or Werewolf film, of that I'm certain - you can almost sense dark clouds scudding across a cold gibbous moon while extra sensitive ears pick up dialogue from within closed buildings. The closing track is "Exit Kanon", which seems like a coda to the previous work - the same muffled voice which echoes onwards while Monk-like singers create a calming atmosphere, as if to pacify the vocal demons which smash the great crystal bells. There's no doubt in my mind that this is a lost classic - it deserves release on CD as soon as possible. As dark as anything from COLD MEAT INDUSTRY, yet somehow more graceful, more honed, at ease with itself. Who needs the nights to draw in when this will suck the daylight from your eyes. Originally reviewed for Soft Watch.