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Samuel  / Texas Is The Reason - Samuel / Texas Is The Reason download album
Rock
Performer: Samuel
Title: Samuel / Texas Is The Reason
Style: Emo
Year 1995
Genre: Rock
Rating: 4.3
Votes: 387
MP3 size: 1908 mb
FLAC size: 1441 mb
WMA size: 1309 mb
Other formats: FLAC MPC ASF DXD VOX MIDI MP1

Samuel / Texas Is The Reason - Samuel / Texas Is The Reason download album


Слушайте и скачивайте texas is the reason на Хотплеере в mp. Texas Is The Reason/Samuel - The Leaving Kind 03:43. The beat is rockin - Texas In July - 2012 02:27.

The Complete Collection Texas is the Reason. 2. The Magic Bullet Theory. 4. There’s No Way I Can Talk Myself Out of This One Tonight (The Drinking Song). 5. Something to Forget (Version II). 8. The Day’s Refrain. 9. A Jack with One Eye. 12. Blue Boy. 13. Something to Forget (Version I). 14. If It’s Here When We Get Back It’s Ours.

Listen to music from Texas Is the Reason like Back and to the Left, Johnny on the Spot & more. Find the latest tracks, albums, and images from Texas Is the Reason. A new version of Last.

Within the broad microcosm that is music whose origins date back to the days of early punk, the genre most often confused and unfairly attached to anything moderately aggressive and remotely emotive is unequivocally, post-hardcore. As talk of a full-length album began to spark, and during the same sessions that produced their self-titled EP, Texas is the Reason recorded a fourth track that would go-on to appear as the b-side of a 7-inch split with Samuel, a heavier, albeit lesser known, female-fronted post-hardcore band from Pennsylvania

The name "Texas Is the Reason" is lifted from a Misfits song, entitled "Bullet". Releasing three songs on an EP, Texas Is the Reason became an underground smash and helped usher in an era of similarly motivated and styled emo bands. They then released a split single with The Promise Ring through Jade Tree.

The Complete Collection, Biography: Texas Is the Reason imploded at a time when they were being touted as the "next big thing" in the wake of the punk explosion on MT. Monthly Listeners: 16509, Where People Listen: New York City, Los Angeles, Chicago, Brooklyn, Philadelphia. Texas Is the Reason imploded at a time when they were being touted as the "next big thing" in the wake of the punk explosion on MTV. They were one of the roots of the then healthy post-Sunny Day Real Estate-core tree, crafting melodious yet forceful indie rock, or emocore, with finesse, sensitivity, and a bit of attitude. Shortly after releasing one of Revelation Records' highest-selling albums, the New York City-based quartet disbanded on the eve of signing with one of several major labels courting them in 1997.

The now defunct Texas Is The Reason (named after a line in the song "Bullet" by the Misfits) have left the world with their sole full-length recording, "Do You Know Who You Are?" (named after the last words John Lennon supposedly heard before he died). Formed from the ashes of various hardcore bands, TITR was a venue for Garrett Klahn, Scott Winegard, Norm Arenas, and Chris Daly to create more personal music and shed the viciousness of hardcore. With the next three songs you can easily see how this band has influenced the increasingly popular emo genre.

Far better than the follow-up full-length, the debut EP from Texas Is the Reason is a short but sweet portrait of a young band both at the top of its game and also helping to define a genre. Making "emo" a consumable form, this record is both boldly powerful and noticeably frail, without ever becoming a mockery of itself. Backed by the thunderous drums of future Jets to Brazil star Chris Daly and led by the impressive vocal strength of hardcore fixture Norm Arenas, Texas Is the Reason's approach is heavy as ever without sounding silly or contrived.

Tracklist Hide Credits

A Samuel The Leaving Kind
Band [Samuel 1995] – Dean*, Eric*, James*, Josh*, Vanessa*Recorded By – Fred Weaver
3:42
B Texas Is The Reason Something To Forget
Bass – S. Winegard*Drums – C. Daly*Guitar – N. Arenas*Recorded By – B. McTernan*Vocals [Sings], Guitar – G. Klahn*
6:11

Companies, etc.

  • Distributed By – Art Monk Construction
  • Distributed By – Lumberjack Distribution
  • Recorded At – Salad Days Studio
  • Mastered At – Frankford/Wayne Mastering Labs
  • Mastered At – Greg Lee Processing – L-45452

Credits

  • Mastered By – GSV*
  • Photography By [Cover Pics] – Brian Maryansky

Notes

Side A recorded in Fred Weaver's Attic early 1995.
Side B recorded at Salad Days.

Includes a lyric sheet.

Side A plays 45 RPM
Side B plays 33 ⅓ RPM

Barcode and Other Identifiers

  • Matrix / Runout (Etched Runout Side A): AMC 12.5/SR2-A F/W GSV L-45452
  • Matrix / Runout (Etched Runout Side B): AMC 12.5/SR2-B F/W GSV L-45452X