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Trace Decay - Dispersion download album
Electronic
Performer: Trace Decay
Title: Dispersion
Style: Downtempo, Experimental, Minimal
Year 1999
Genre: Electronic
Rating: 4.9
Votes: 338
MP3 size: 1348 mb
FLAC size: 1433 mb
WMA size: 1926 mb
Other formats: VOC AA DTS MP1 ADX RA AHX

Trace Decay - Dispersion download album


Listen free to Trace Decay – Dispersion (Circuit Open, Alembic and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

From Mick Harris & John Everall's 1999 release "Dispersion".

Dispersion Trace Decay. This album has an average beat per minute of 109 BPM (slowest/fastest tempos: 72/177 BPM). Tracklist Dispersion.

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Trace Decay - Advocatus Diaboli 11:41. Trace Decay - Circuit Open 08:57. Trace Decay - Nostoi 09:32. Trace Decay - Circuit Closed 05:45. Trace Decay - Caustic 09:38. Trace Decay - Alembic 10:17. Trace Decay - Riverrun 07:26. Tower of Babel - Kazuyoshi Akiyama, Osaka Municipal Symphonic Band, Рихард Штраус.

INV 141 CD. Release group information. ambient, downtempo, electronic.

Progressive Metal Agnosia (GRC). 队列表 Progressive Metal Agnosia (GRC) Trace Decay. Band Name Agnosia (GRC).

Featuring the talents of Mick Harris (Scorn) and John Everall (Tactile), Trace Decay follow in the footsteps of some of their musical aspirations such as Can, Faust and This Heat. Paying tribute to these artists without covering their songs or blatantly mimicking them; the collaboration between these two resulted in a mixture of dub, electronica and trance. Shortly after their formation, Invisible Records released an EP entitled "Dispersion" which was released in early 1999.

Tracklist

1 Circuit Open 8:57
2 Alembic 10:17
3 Nostoi 9:32
4 Riverrun 7:26
5 Advocatus Diaboli 11:41
6 Caustic 9:38
7 Circuit Closed 5:45

Companies, etc.

  • Phonographic Copyright (p) – Invisible
  • Copyright (c) – Invisible
  • Manufactured By – Caroline Records, Inc.
  • Distributed By – Caroline Records, Inc.
  • Mixed At – The Box
  • Produced At – The Box

Credits

  • Artwork – Teresa Mills
  • Performer, Drums, Loops [Rhythm Loops], Bass [Basslines], Sounds [Found Sounds], Electronics – Mick Harris
  • Performer, Loops [Rhythm Loops], Bass [Basslines], Sounds [Found Sounds], Electronics, Effects [Marine Band Audio Signals] – John Everall
  • Producer, Mixed By – John Everall, Mick Harris

Notes

Total time: 63:19

Mixed & Produced at The Box 3, Winter 1998.

© & ℗ 1999 Invisible Records.
Manufactured and Distributed by Caroline Records, Inc.

Barcode and Other Identifiers

  • Barcode: 6 37642 01412 8
  • Matrix / Runout (CD): 1-1-1 INV00141
  • Mastering SID Code: IFPI L044
  • Mould SID Code: IFPI 165B


Morlunn
This album is mostly just good drum beats, paranoid atmosphere, and experimental sound editing. It's really a good chill listen with great packaging design. It reminded me a bit of Scorn when I first heard it, then of course saw that Mick Harris was involved. That makes sense! It has a slightly different atmosphere from Scorn albums though, the drums are very sharp and the melodies are very distant.
Sennnel
This album is mostly just good drum beats, paranoid atmosphere, and experimental sound editing. It's really a good chill listen with great packaging design. It reminded me a bit of Scorn when I first heard it, then of course saw that Mick Harris was involved. That makes sense! It has a slightly different atmosphere from Scorn albums though, the drums are very sharp and the melodies are very distant.