A Fever You Can't Sweat Out is the debut studio album by American rock band Panic! at the Disco. Produced by Matt Squire, the album was released on September 27, 2005, on Decaydance and Fueled by Ramen. The group formed in Las Vegas in 2004 and began posting demos online, which caught the attention of Fall Out Boy bassist Pete Wentz. Wentz signed the group to his own imprint label, Decaydance, without them having ever performed live.
At the Disco’s claim to fame, A Fever You Can’t Sweat Out, was released September 27th, 2005. Recording began in June 2005, so the band didn’t have much time to put together their debut. Frontman Brendon Urie says: Every song that we wrot. ade it. We didn’t think about writing a bunch of songs and picking the best ones. We had to just make the best songs we ever wrote. The album was heavily influenced by the works of novelist Chuck Palahniuk. Panic! observed that other pop punk bands, such as Fall Out Boy, were using long song titles.
Complete sua coleção de Panic! At The Disco. A Fever You Can't Sweat Out (CD, Album). Decaydance, Fueled By Ramen.
The state of pop-punk/emo in 2005: it's hip to be self-aware. Dear studio audience," Panic! at the Disco vocalist Brendon Urie quavers in "The Only Difference Between Martyrdom and Suicide Is Press Coverage. I've an announcement to make/It seems the artists these days are not who you think
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Album · 2005 · 13 Songs. Panic! At the Disco initially casts a familiar punk-pop spell typified by singer Brendon Urie on the snarky stand-out "The Only Difference Between Martyrdom and Suicide is Press Coverage. But the band quickly busts the envelope of expectations wide open with the prog-meets-punk ethos of "Camisado," the Queen-channeling "Intermission" and the grand, genre-bending conceits of "But Its Better If You Do" and "Build God, Then We'll Talk. A Fever You Can't Sweat Out Panic! At the Disco.
The album version sounds a little bit different than the former version which put more emphasis on the disco beats and the chorus. It’s still a pretty good song since it’s a change from the quick style of the previous songs. Camisado"- The quick vocals are whispered to a catchy beat provided by what seems like a piano. The beat picks up to what you can make out what he is saying in the song, and disco has a minimum effect on this song. The chorus is probably one of the better production wise were you can here signs of duel vocals and the disco sort of backdrifts in the background.